Miroslav Panina

Download Now Server 1 Download Now Server 3 Download Now Server 2 Images of ‘lost’ or forgotten signs from the past are on a number of sites all over the web. One in particular partially revealed a vintage sign for “J. Yormark Shoes" behind a barbershop sign at 15 – 8th Avenue in New York City. The sign remained until 2014. The stencil effect made by the formation of the stained glass letters inspired On Your Mark JNL , which is available in both regular and oblique versions. The font’s name is a play on the shoe vendor’s name… “Yormark”. On Your Mark JNL

Download Now Server 1 Download Now Server 3 Download Now Server 2 Unique and decorative signage for many drive-ins, motels, food stores and other businesses of the 1940s had what was referred to as “privilege signs” provided by one of the major cola brands. Consisting of the brand’s emblem on a decorative panel, the remainder of the sign would carry the desired message of the storekeeper (such as “Drive-In”) in prismatic, embossed metal letters. Inspired by the Art Deco sans serif style of those vintage signs, Privilege Sign Two JNL recreates the type design in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses. This is a companion font to Privilege Sign JNL, which recreates the condensed sans serif lettering of other privilege signs from the 1950s and early 1960s. Privilege Sign Two JNL

Download Now Server 1 Download Now Server 3 Download Now Server 2 The thin and stylish Art Deco lettering of a neon sign above the Greyhound bus terminal entrance in a 1930s New York City photo inspired Transit Station JNL , which is available in both regular and oblique versions. Transit Station JNL

Download Now Server 1 Download Now Server 3 Download Now Server 2 Here’s a novelty font emulating the plastic pennant streamers that were popular in the 1950s and 1960s used to decorate a store parking lot or used car lot for a sales event. The typeface inside the individual pennants is Manufacturer JNL, which can be used for body copy associated with titles made by this font. Parking Lot Sale JNL is available in regular (black letters on white pennants) and black (with white letters). A blank pennant for word spacing or end caps is available on the backslash key. Parking Lot Sale JNL

Download Now Server 1 Download Now Server 3 Download Now Server 2 A hand lettered emulation of a Roman stencil type face on the cover of the folio for the Stenso School Set was the basis for Eutaw Stencil JNL , which is available in both regular and oblique versions. The Stenso School Set (circa 1940-41) was comprised of three stencils – two lettering guides and a map of the [then] 48 United States. Developed and patented by Baltimore school teacher Ruth Libauer Hormats, her stencils were the first to offer a system for accurate letter spacing and ease of use. “Eutaw” (as part of the font’s name) is taken from Eutaw Place, the street where Ruth and her husband lived at the time of Stenso’s inception. To the Cherokee, the name means “Creek Indian”. Eutaw Stencil JNL

Download Now Server 1 Download Now Server 3 Download Now Server 2 Pacific Atoll JNL is a stylized slab serif type design based on the movie title lettering for the 1942 wartime film “Pacific Rendezvous”, and is available in both regular and oblique versions. According to Wikipedia, “…an atoll (sometimes known as a coral atoll), is a ring-shaped coral reef, including a coral rim that encircles a lagoon partially or completely. There may be coral islands or cays on the rim.” Download Pacific Atoll JNL Fonts Family From Jeff Levine

Download Now Server 1 Download Now Server 2 Download Now Server 3 Ghost Sign JNL is a spurred serif type design based on the faded lettering of an antique brick wall sign for Homer Hardware [located in Homer, NY] and is available in both regular and oblique versions. From Wikipedia: “A ghost sign is an old hand-painted advertising sign that has been preserved on a building for an extended period of time. The sign may be kept for its nostalgic appeal, or simply indifference by the owner. Ghost signs are found across the world with the United States, the United Kingdom, France and Canada having many surviving examples. Ghost signs are also called fading ads or brickads. In many cases these are advertisements painted on brick that remained over time. Old painted advertisements are occasionally discovered upon demolition of later-built adjoining structures. Throughout rural areas, old barn advertisements continue to promote defunct brands and quaint roadside attractions. Many ghost signs

Download Town Meeting JNL Fonts Family From Jeff Levine Town Meeting JNL (available in both regular and oblique versions) is a modified version of Mud Creek JNL (which was based on Tuscan Egyptian – a classic wood type).  The side spurs were removed and the split serifs were replaced by slab serifs. Download Town Meeting JNL Fonts Family From Jeff Levine Download Now View Gallery

Download Now Server 1 Download Now Server 2 Download Now Server 3 “News Gothic” has been a reliable workhorse of a font since it was created by Morris Fuller Benton and first offered for sale in 1908 by American Type Founders.   A clean, legible design used for text copy, it can also double as a light headline face. This reinterpretation (named Columnist JNL ) is available in both regular and oblique versions. Download Columnist JNL Fonts Family From Jeff Levine Download Columnist JNL Fonts Family From Jeff Levine

Download Now Server 1 Download Now Server 2 Download Now Server 3 Page Printer JNL was inspired by “Skeleton”, from the William H. Page Wood Type Foundry circa 1848. Its name is a play on both Page’s surname as well as contemporary desktop printers.   Page Printer JNL is available in both regular and oblique versions.  Download Page Printer JNL Fonts Family From Jeff Levine Download Page Printer JNL Fonts Family From Jeff Levine

Download Wood Clarendon JNL Fonts Family From Jeff Levine Wood Clarendon JNL is based on Hamilton Clarendon Condensed (circa 1899) and is available in both regular and oblique versions. The design of this typeface retains many of the charming (but slight) design irregularities often found within pantograph-cut wood type from the 1800s through the early 1900s. Download Wood Clarendon JNL Fonts Family From Jeff Levine Download Now View Gallery

Download Now Server 1 Download Now Server 3 Download Now Server 2 Latin music was all the rage in the United States from the 1930s through the 1950s and songs with a “South of the Border” or “Old Mexico” theme were plentiful. The 1940 sheet music for “Make Love with a Guitar” evoked the idea of serenading one’s lovely lady on horseback while strumming the guitar. ..at least if you went by the by the illustration under the song’s name. As the hand lettered title was rendered in an Art Deco design, it became the basis for Jazz Guitar JNL [which seemed a more befitting name], and is available in both regular and oblique versions. Download Jazz Guitar JNL Fonts Family From Jeff Levine

Download Now Server 1 Download Now Server 3 Download Now Server 2 Vintage (circa 1960s) packaging for Parker Cartridge Pen Erasers had the product description printed in bold stencil lettering featuring a squared look with rounded corners. This design has been recreated digitally as Marketing Stencil JNL, which is available in both regular and oblique versions. Download Marketing Stencil Fonts Family From Jeff Levine

Download Now Server 1 Download Now Server 3 Download Now Server 2 Manufactory JNL and its oblique counterpart were re-drawn from examples of a now-antique typeface used within many advertisements found throughout the pages of The American Stationer magazine, circa 1879. The term ‘manufactory’ was popular during this era; the word being a more archaic form of ‘factory’. There is a bit of Western flavor to this type design, as the spurred serifs and the top and bottom strokes are heavier than the vertical and mid-point stroke weights. Download Manufactory JNL Font Family From Jeff Levine

Download Now Server 1 Download Now Server 3 Download Now Server 2 In the July 24, 1915 issue of “Dry Goods Reporter” is a demonstration of hand lettering rendered with the use of a “speed pen”. Two suggested examples cited in the accompanying article were the Payzant pen and the then-new Speedball pen. An ornate Art Nouveau serif alphabet is displayed, with some examples having delicate floral elements entwining the letters. The initial alphabet was auto-traced, then cleaned-up and modified to recreate the core design of the basic (unadorned) letters. The numerals, punctuation and all additional characters were then made from scratch. Nouveau Rose JNL is the finished result, and is available in both regular and oblique versions. Download Nouveau Rose Font Family From Jeff Levine

Download Now Server 1 Download Now Server 3 Download Now Server 2 The font Antique Slabserif JNL was run through a filter to create a design that looks like worn type at smaller settings or jaggedly distressed lettering in larger type heights. The end result is Radio Interference JNL, which is available in both regular and oblique versions. Download Radio Interference Font Family From Jeff Levine

Download Now Server 1 Download Now Server 3 Download Now Server 2 A disc jockey-only promotional sleeve for a 1964 [45 rpm] release of “Close to Me” and “Let Them Talk” by Dan Penn featured the song titles printed in a stencil typeface on the record sleeve. Closely resembling a stencil version of Franklin Gothic but with its own unique characteristics, this design has been reinterpreted as Turntable Stencil JNL and is available in both regular and oblique versions. For trivia buffs, Dan Penn is a singer-songwriter-record producer, often collaborating with Dewey Lindon “Spooner” Oldham; both closely associated with the late Rick Hall’s Fame recording studios in Muscle Shoals, Alabama. In 1964, Hall started the Fame record label, and for a time it was distributed by Vee-Jay Records of Chicago, the first major Black-owned record label in the United